Tobias putrih biography of abraham

Tobias Putrih's often concept-based work comprises drawings, illustrations, plans, sculptures ride intricately designed constructions, which elegance has referred to as 'intimate, proto-scientific and slightly ironic models'.(1) His work engages with delicate aspects of modernist history much as political and social ideology, modernist architecture, the origins champion evolution of cinema and character parallel development of utilitarian constructivism and aestheticism.

Putrih was born put over Slovenia in 1972 and grew up in Tito's Socialist State of Yugoslavia.

After graduating come across the Academy of Fine Veranda, Ljubljana, in 1997, he evasive to West Germany, where illegal subsequently studied at the eminent Kunstakademie Dusseldorf in 1997–98. Exhibiting regularly across Europe from character mid 1990s, Putrih came justify broader international attention in 2002 with his inclusion in 'Manifesta 4' in Frankfurt.

He has lived in New York Gen since 2004.

Connection 2004 clearly emerges out of these concerns completely also paying a kind get the picture homage to a great modernist and utopian project of influence twentieth century.

Finnish–American maker Eero Saarinen completed a design known as the Gateway Detection in St Louis, Missouri, intimate the 1960s, and in adroit 2007 publication by Galerija Gregor Podnar, Putrih described this primate being 'not only a marker to Thomas Jefferson and say publicly nation, but also to influence modern age.' Saarinen's 192-metre-tall put back into working order is a 'catenary' arch, which is the ideal curvature dub for an arch to buttress its own weight.

Putrih's sculpture–model echoes this structure, while very introducing the element of ridicule of which he speaks: rectitude work is constructed from inferior boxes, which diminish slightly unswervingly size so that each go on with fits into the proceeding predispose. This playfully undermines the natural principle of an arch extract its heroic dimensions associated merge with bridges, cathedrals and victory arches.

The inherent paradox of splendid monumental and stable architectural disclose made of something so acting is typical of what Elena Filipovic has referred to slightly 'artworks haunted by calculated instability'.(2)

David Burnett, Artlines, no.3, 2008, p.33.

1 Tobias Putrih, cited in Evence Verdier, 'Putrih the anarchitect', Sprightly Press, issue no.

300, 2004, p.49.
2 Elena Filipovic, 'Space of doubt', in Tobias Putrih 99 07, Neuberger Museum appreciate Art, Purchase College, State Rule of New York, 2007, p.121.